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back to list Dan Witz Brooklyn, NY based street artist and realist painter. He grew up in Chicago, IL, and graduated in 1981 from Cooper Union, on New York City’s Lower East Side. Witz, consistently active since the late 1970s, is one of the pioneers of the street art movement.

back to list Aaron De LA Cruz Aaron De La Cruz's work, though minimal and direct at first, tends to overcome barriers of separation and freely steps in and out of the realms of fine art and design. The act and the marks themselves are very primal but tend to take on distinct and sometimes higher meanings in the broad range of mediums and contexts they appear in and on. His work finds strengths in the reduction of his interests in life to minimal information. De La Cruz gains from the idea of exclusion, just because you don't literally see it, doesn't mean that it's not there.

news archive: 07/08/15 MAYA EXCURSION with Bruce Love, Ph.D. & Stevie Love, MFA 06/17/15 Artweek.LA Cover Story "The Importance of Flower Paintings" MOAH FLORA 05/29/15 Conversation with President Bruce W. Ferguson and Social Practice Artist Rick Lowe 05/19/15 AV Outpost Brings an Ambitious Program of Social Practive to AV 02/24/15 30th Annual Juried Art Show at MOAH to Feature Two Distinguished Judges 01/27/15 Huffington Post: MOAH Artist Andrew Frieder Featured at Outsider Art Fair 01/07/15 KCET ARTBOUND: "Being Here and There: Ambiguous Boundaries and Contested Terrains" 12/16/14 MOAH's "Being Here and There" Cover Story of ARTWEEK.LA 08/14/14 Cedar Center Alive Again 08/13/14 MOAH Manager Andi Campognone appointed to Executive Committee of Art Table LA Branch 03/30/14 MOAH Featured in ARTILLERY MAGAZINE for "Colorimetry" Show 03/24/14 John Van Hamersveld interviews on 'The Poster Show' 02/25/14 MOAH featured in Italian Magazine, Drost Effect: "Colorimetry Uses Color as Instigator" 10/27/13 Eastside High students turn illegally dumped waste into art 09/17/13 Tim Youd: An Art of Sound and Word 08/26/13 Firm has sights set on space, beyond 08/25/13 Old, young theme of workshop 08/13/13 Artist critique slated for museum forum 07/29/13 Museum set to take flight with four new exhibits 05/14/13 Flowers, “SuperCallaFragileMysticEcstasyDioecious,” Bloom at MOAH 05/13/13 Eastside in Full Bloom With Artistic Pieces 05/03/13 The Social Art of Jorg Dubin 05/01/13 Art Ltd.-Artist Profile: Gary Lang 04/17/13 The Brave Gestures Of Gary Lang 07/01/12 Art Ltd-A New Art Museum for the Antelope Valley 06/28/12 Budding Young Artists Flock to MOAH Art Workshop Thursday 05/14/12 A Moon-Age Daydream: The Collision of Arts and the Aerospace Industry 05/02/12 New Museum of Art and History prepares to open in Lancaster 04/29/12 MOAH adds to BLVD 04/25/12 The MOAH the Merrier - Museum to open May 5 04/05/12 Lancaster Hit By 'Yarn Bombing' 03/21/12 Museum of Art and History set to make opening debut 02/06/12 Campognone Looks To Put Impressive Stamp On MOAH 02/02/12 Lancaster's Pro Tem Curator Looks Eagerly To Future 01/16/12 Museum Piece Declares, 'IT'S WAR!' 01/12/12 The MOAH the merrier: New museum twice as big as old

Up The Muse Tina Dille Tina Dille's artwork echoes inspiration from the natural wildlife and domesticated animals of the Tehachapi Mountains. The personalities of the animals she coexists with fuel her distinctive animal portraits, giving life and spirit to each friendly face. The most impactful muse arrived with a rescued, semi-tamed raven named Penut. The crafty and charismatic personality of Penut became a fulfilling and influential source of creative energy for Dille. The Muse reflects the wonder and personalities of Penut through various depictions of ravens. The animals' eyes are a focal point of her creative intent, while the rest of the piece is composed of the natural forms and shapes of watercolor and fluid acrylic mediums. The splattering, flowing, and dripping of the paint is part accident and part skill, creating a unique art piece that cannot be duplicated. Dille began her artistic career at a young age; early on, she was drawn to the livestock and ranchers in her hometown of Jerome, Idaho, and the backyard creatures she discovered when her family moved to Southern California. As an adult, Dille operated a small ceramics business that created and sold hand-painted ceramic animal figurines nationwide. Dille relocated to the Tehachapi Mountains in 2006 to focus on fine art and immerse herself in the area's natural wildlife. 2022-2023 Back to list

back to list Brandon Thompson Brandon Thompson is a contemporary mural artist, Air Force Veteran, & California native. In 2009, while traveling in the military, Brandon turned to his childhood influences of hip-hop and graffiti, and started spray painting hand-cut stencils to create custom canvas paintings. Today, Brandon has completed over 30 local murals in collaboration with several community leaders, businesses, and schools including BitWise, Lowes, The Dolores Huerta Foundation, and the City of Bakersfield. His original paintings and drawings range in unique size, medium, and subject and are available at Bird Dog Arts in Tejon, California. Brandon earned his undergraduate degree in Small Business & Entrepreneurship in 2018; however, his creative journey has been self-taught. Brandon was recently selected as one of Bakersfield's "20 Under 40" Rising Stars. As a self-taught Veteran artist, Brandon hopes to inspire others, educate the masses, and celebrate culture and people.

Presents What's in a Landscape? What’s in a Landscape? is a project undertaken by Art in Residence, in partnership with the Museum of Art and History, to uncover the diverse and multivalent relationships Antelope Valley residents have to the landscape they call home. The goals of the project focused on documenting the people of the Antelope Valley and their relation to its landscape and history. Using the work of Rackstraw Downes as a jumping off point, Art In Residence organized four workshops at Quartz Hill High School, each building on the next, giving students the opportunity to explore plant-centered narratives, documentary filmmaking, landscape painting and mural design, and oral histories. What’s in a Landscape? is generously supported by the California Arts Council’s Artists in Communities grant program and the Lancaster Museum and Public Art Foundation. Plant-centered Narratives Landscape Painting & Mural Design Art Talk Series Oral History Interview Documentary Filmmaking Made possible by A Workshop on Plant-centered Narratives In this workshop, Jenny Yurshansky took Richard Rosenblatt’s 11th grade English class through a guided writing exercise. Students collected a clipping from a plant, and then wrote a narrative embodying that plant’s point of view. Some students went personal, some went speculative. Writing took various forms, from prose, to poetry, to diary entries. In writing this way, students gained empathy for the landscape as a living companion to its human inhabitants. Adriana Orozco Diary of Letitia Read Now Brandon Kim October 18th, 2020 Read Now Edward Lee Desertion Read Now Lara Cruz Roses Read Now Patrick Park My Name is Winky Read Now Tanisha Alam Spring Festival Read Now Kendall Segale Ripped from the Ground Read Now Alayna Boyd The Fiddleneck in Me Read Now Brooke Jurgenson ROSE Read Now Eric Chen The Siren Read Now Tahlia Campbell This Was the End Read Now Martin Bozikovic Untitled Read Now Om Baboolall Taking It All In Read Now Jillian Stebbins A Pine Tree Doesn’t Know English Read Now Alex Kim Untitled Read Now Camille Murray From an Oleanders View Read Now Emily Schneider The White Rose and I Read Now Sarah Valdez Ocampo Fighting Against Weakness (A slightly dying) Zebra Haworthia Read Now Samantha Martinez Rosemary Read Now Sophia Rocha The Periwinkle Read Now Riley Briones Yellow Rose Read Now Ashna Pradhan Green Is a Color as Well Read Now Destiny Solis Stuck Read Now Gabriela Valiente Reborn, Here Read Now Renee Chowdhry Diary Entry Read Now Valeria Munoz The Alien Read Now Renee Odoi The Fern Plant Read Now Joanna Vazquez A Plant’s Life Read Now As an extension of this workshop and as a warm up exercise to the Documentary Filmmaking workshop, Richard Rosenblatt shared the writings with the students in Chris Hall’s class. Each of the four groups took one of the written works, recorded a voice over, and gathered footage to accompany the text. Play Video Play Video 02:55 Untitled by Alex Kim Play Video Play Video 02:46 The Siren by Eric Chen Play Video Play Video 04:25 A Pine Tree Doesn’t Know English by Jillian Stebbins Play Video Play Video 02:02 Green is a Color as Well by Ashna Pradham Plant Centered Narratives A Workshop on Landscape Painting & Mural Design Muralist Nuri Amanatullah led students in Deepak Dhillon’s art class through lecture and discussion on the landscape as a subject in drawing and painting, with an emphasis on symbolism and expressing identity through natural elements. Students created landscape sketches, and used those sketches as the basis for proposed mural design. Amanatullah then combined the work done by the students into a single mural to be executed on the campus of Quartz Hill High School. Hover over the s on the mural below to learn more about this collaboration. In this sketch by Makalya Ojeda we see the inspiration for the sky – your classic AV sunset – as well as the more profile pose of the pronghorn. This initial sketch by Diego Vargas incorporates abstract wavy lines, as well as a suggestion of architectural elements which inspired the map seen inside the pronghorn's form. From Erin Segovia's digital rendering we receive the overall palette and look of the mural. Her detailed renderings of the flora were important to capture in the final image. Landscape Painting and Mural Design A Workshop on Documentary Filmmaking Robin Rosenthal and Dave Martin partnered with Chris Hall’s Intermediate Production class to create short documentary videos. Students were tasked with creating a piece about a particular landscape they have a personal connection with, or interviewing a person or group with a particular relationship to the landscape in some way. Play Video Play Video 05:47 The Isolated Community of Green Valley Play Video Play Video 01:59 Rough Beauty Play Video Play Video 05:18 Littering In The Landscape Play Video Play Video 05:02 The Mojave Desert Documentary Filmmaking Public Art and Monuments An Oral History Interview with Margaret Rhyne In her interview for What’s in a Landscape? Margaret Rhyne focuses on the role of conservation and stewardship in preserving land. She offers unique insights into how the Antelope Valley landscape has been changed by the hands of people who, like herself, have dedicated their lives to maintaining and preserving the local land and its wildlife. An Interview with Margaret Rhyne 00:00 / 46:34 Art Talk Series In this art talk series Art in Residence invited 4 artists to discuss their work in relation to the theme of landscapes. They explored how this theme plays a role in each of their art practices. Art Talk Series: Whats In a Landscape? Play Video Facebook Twitter Pinterest Tumblr Copy Link Link Copied Now Playing Art Talk Series: Whats In a Landscape? | Mood & Meaning 58:50 Play Video Now Playing Art Talk Series: Whats In a Landscape? | Monuments Now: Joel Garcia 01:15:33 Play Video Now Playing Art Talk Series: Whats In a Landscape? | Jenny Yurshansky 01:06:45 Play Video Art Talk

RENTAL FEES MOAH MOAH:CEDAR WESTERN HOTEL MUSEUM PRIME DESERT WOODLAND PRESERVE MOAH Rental Fees * Prices are subject to change Entire Museum (excluding office and storage) CAP. 399 Deposit Hourly Fee Cleaning Fee Staff Fee (2 Staff Members) $581 $316-581 w/ 4hr. min $300 $49 per hour *Available after normal business hours Lantern Room with Terrace CAP. Sitting 80, Terrace Cocktail 170 Deposit Hourly Fee Cleaning Fee Staff Fee (2 Staff Members) $560 $314 $94 $49 per hour *Depending on Exhibit Galleries Second Floor CAP. 70-100 Deposit Hourly Fee Cleaning Fee Staff Fee (2 Staff Members) $303 $94 $61 $49 per hour *Depending on Exhibit Main Gallery CAP. 125-250 Deposit Hourly Fee Cleaning Fee Staff Fee (2 Staff Members) $287 $298 $90 $47 per hour *Depending on Exhibit Classroom CAP. 50 Deposit Hourly Fee Cleaning Fee Staff Fee (2 Staff Members) $120 $48 $0 $47 per hour Required Fees Insurance Low - If less than 99 guests Insurance High - If more than 100 guests For every 100 guests, a Ranger is required If Alcohol is being served, Ranger is required $30/hour and need to provide own Liability insurance with ABC Certificate. $46 $66 $30 Optional Fees Wi-Fi Patio Heater (Propane provided, max. quantity 4) Outdoor Furniture (Table + 4 Chairs) Tablecloth (White or Black) Chair Cover (White) Uplight Art Removal Fee Lounge Furniture - Gray Accent Chair Lounge Furniture - Gray Couch Lounge Furniture - Large Accent Table Lounge Furniture - Small Accent Table Pipe and Drape (12' - Black) $30 $65 each $21 each or $97 for all 5 sets $15 each $15 each $9 each $119 each $113 each $113 each $21 each $10 each $15 each *Refunds for deposit and cancellations are issued via paper check and may take up to 6 to 8 weeks to receive MOAH:CEDAR Rental Fees *Prices are subject to change Main Hall CAP. Seated 120, Standing 180 Deposit Hourly Fee Cleaning Fee $100 $124 $124 Galleries CAP. 50 Deposit Hourly Fee Staff Fee (2 Staff Members) $50 $43 $49/hour Required Fees Insurance Low - If less than 99 guests Insurance High - If more than 100 guests For every 100 guests, a Ranger is required If Alcohol is being served, Ranger is required $28/hour and need to provide own Liability insurance with ABC Certificate. $46 $66 $28 Optional Fees Wi-Fi Patio Heater (propane provided, max. quantity 4) Tablecloth (White or Black) Uplight Lounge Furniture - Gray Accent Chair Lounge Furniture - Gray Couch Lounge Furniture - Large Accent Table Lounge Furniture - Small Accent Table Pipe and Drape (12' - Black) $30 $65 each $15 each $9 each $113 each $113 each $21 each $10 each $15 each Western Hotel Museum Rental Fees *Prices are subject to change Pavilion CAP. 100 Deposit Hourly Fee Cleaning Fee $100 $91 $50 *Refunds for deposit and cancellations are issued via paper check and may take up to 6 to 8 weeks to receive Required Fees Insurance Low - If less than 99 guests Insurance High - If more than 100 guests For every 100 guests, a Ranger is required If Alcohol is being served, Ranger is required $30/hour and need to provide own Liability insurance with ABC Certificate. $46 $66 $30 Optional Fees Wi-Fi Patio Heater (propane provided, max. quantity 4) Staff Fee (2 Staff Members) Tablecloth (White or Black) Lounge Furniture - Gray Accent Chair Lounge Furniture - Gray Couch Lounge Furniture - Large Accent Table Lounge Furniture - Small Accent Table Pipe and Drape (12' - Black) $30 $65 each $49/hour $15 each $113 each $113 each $21 each $10 each $15 each Prime Desert Woodland Preserve Pavilion Rental Fees * Prices are subject to change Pavilion CAP. 100 Deposit Hourly Fee Cleaning Fee $100 $48 $50 Required Fees Insurance Low - If less than 99 guests Insurance High - If more than 100 guests For every 100 guests, a Ranger is required If Alcohol is being served, Ranger is required $30/hour and need to provide own Liability insurance with ABC Certificate. $46 $66 $30 *Refunds for deposit and cancellations are issued via paper check and may take up to 6 to 8 weeks to receive Optional Fees Wi-Fi Staff Fee (2 Staff Members) Patio Heater (propane provided, max. quantity 4) Outdoor Furniture (Table + 4 Chairs) Tablecloth (White or Black) Uplight Lounge Furniture - Gray Accent Chair Lounge Furniture - Gray Couch Lounge Furniture - Large Accent Table Lounge Furniture - Small Accent Table Pipe and Drape (12' - Black) $30 $49/hour $65 each $21 each or $97 for all 5 sets $15 each $9 each $113 each $113 each $21 each $10 each $15 each View or Download the Facility Rental Application by clicking here . Apply Visit the link before to see frequently asked questions regarding rentals. Rental FAQ

Autumn 2013 < Return to Exhibitions August 3, - October 13, 2013 Free Enterprise: The Art of Citizen Space Exploration Curated by Tyler Stallings and Marko Peljhan Main & Vault Gallery Tim Youd: The Right Stuff Jewel Box Gallery When I'm Sixty-Four Curated by Rebecca Trawick East, South, Wells Fargo Jorg Dubin: Dog Fight Lobby Atrium Free Enterprise Image Courtesy of Tyler Stallings, Artistic Director UCR Culver Center for the Arts & Sweeney Art Gallery Troy Aossey Tim Youd Jorg Dubin Free Enterprise: The Art of Citizen Space Exploration Curated by Tyler Stallings and Marko Peljhan Occupying the entire ground level, MOAH presents the first contemporary art exhibition in the U.S. to showcase an international array of artists and organizations who are exploring the intersection between artistic production and civilian space travel. The possibility of fulfilling the human dream to fly into space has been encouraged by a major political and cultural shift away from federal-sponsored space activities towards a private enterprise model. This exciting exhibit includes a variety of media such as drawing, photography, video, sculpture, painting, and artifacts by international participants. Locally based XCOR Aerospace, Inc. (Mojave, CA), has installed a full scale working rocket and other hardware in the Museum as a major feature of the show. Free Enterprise originated from the University of California Riverside ARTSblock. Participants : The Arts Catalyst (London, U.K.), Lowry Burgess (Pittsburgh, PA), Center for Land Use Interpretation (Culver City, CA), Richard Clar (Paris/Los Angeles), Skeith De Wine (Santa Ana, CA), Kitsou Dubois (Paris), Final Frontier Design (New York), MIR - Microgravity Interdisciplinary Research (international participants), Forrest Myers (New York), Carrie Paterson (Los Angeles), Connie Samaras (Los Angeles), and XCOR Aerospace, Inc. (Mojave, CA). Tim Youd: The Right Stuff Continuing with the theme of space and flight, Los Angeles-based artist Tim Youd will perform the typing of Tom Wolfe’s The Right Stuff on the original typewriter used to create the novel. Youd’s performance involves typing the novel on a single page run through the machine over and over again, thereby embedding the entire manuscript into one sheet. Youd travels the world, performing the works in locales geographically related to either the author’s life or the plot of the novel. When I'm Sixty-Four Curated by Rebecca Trawick When I'm Sixty-Four explores the lives of our country's 50+ population. California alone is projected to have a population of 6.5 million people over the age of 65 within the first two decades of the new millennium. All aspects of life will be impacted including politics, public services, the economy, family structures, and healthcare. As our population ages we have to ask ourselves the role this group will play in our culture and whether or not our perception, acceptance and politics will mature along with them. The contemporary artists in When I'm Sixty-Four use diverse approaches to explore the realities of the lives of our senior population, often through extremely private investigations into their own aging or the lives of their loved ones. Their work poses questions about our concepts of growing older, and what we can do to access our senior community members. The Museum of Art and History is presenting an in-depth schedule of public programs, lectures, film screenings and special performances featuring amazing seniors in our communities. Artists include Deborah Aschheim (CA), Troy Aossey (AZ), Jeanne C. Finley (CA), Gina Genis (CA), Nancy Macko (CA), Peter Riesett (NY) and Shari Wasson (CA). Jorg Dubin: Dog Fight Jorg Dubin’s Dog Fight sculptures capture the form and structure of military aircraft. Constructed from metal, Dubin finishes the surfaces with corporate logos painted directly on the work. Suspended in the Museum’s atrium in a configuration resembling an aerial dog fight, the title of the work comes alive from multiple vantage points as viewers walk through the first and second floors of the facility. The Corporate Jet Series is a playful and ironic look at the influence or perhaps the merging of the power of corporate America, politics and the innate desire for the good life, all of which is protected by the military. Enterprise Youd Dubin Trawick View or Download the Autumn 2013 Exhibition Catalog by clicking on the cover image or here.

< Back Jim Richard Featured Structure Artist Through a myriad of paintings, drawings, and collages, contemporary artist Jim Richard construes interior and exterior depictions of Modern architecture. Since the late 1970s, Richard has created a profusion of modernist interiors loaded with art and kitsch objects that settle into multi-hued graphic fields. Richard manipulates interior aesthetics from the 1960s and 70s warping the display of art influenced by the modernist idea of a utopian society. The adornment of objects within Richard’s collages is strategically curated from a selection of 1960s and 70s home decor magazines and furniture advertisements. Visually, his work fuses elements of photorealism, hard-edge painting, and collage, resulting in a 2-D abstract style imbued with an array of rich colors and patterns. Richard’s body of work has a persistent focus on the recontextualization of Modernist art and design. Absent occupants, the clash of decorative objects and imagery against the busy patterns of Jim Richard’s collages evoke the presence of an art collector. The claustrophobic slew of sleek furniture and ornamental ephemera is Richard’s satirical yet humorous commentary on the ambitious goals of Modernism and Modernist art. At this point in time, many artists were striving for pure originality, seeking to advance their art practice beyond acceptable forms of "high art.” By structuring the composition of his collages around curated art-objects Richard’s architectural frameworks act and feel like a mausoleum putting outdated aesthetics and politics to rest. Originally born in Port Arthur, Texas, Richard currently lives and works in New Orleans, Louisiana. He is represented by the Arthur Roger Gallery in New Orleans and Inman Gallery in Houston. Richard received his Bachelor of Science from Lamar State College of Technology and his Master of Fine Art from the University of Colorado. Richard's work has been exhibited in New York at the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Drawing Center, Oliver Kamm Gallery, and Jeff Bailey Gallery. For several years, he taught painting, served as a Graduate Coordinator, and was in charge of the Visiting Artists Program at the University of New Orleans served as Graduate Coordinator. Richard's paintings can be found in the collections of the Guggenheim Museum, The New Orleans Museum of Art, and the Houston Museum of Fine Art. Previous Next

2023 < View Public Art Projects Nancy Baker Cahill's Lifelines 2023 Permanent Art Project Lifelines by Nancy Baker Cahill is an animated, monumental, augmented reality (AR) installation of ecological imagination. Geolocated in the Prime Desert Woodland Preserve (PDWP), a protected, historic desert in California’s Antelope Valley, Lifelines appears as three colossal Joshua trees surrounded by a ghostly murmuration of birds. Rich with wildlife and home to many species of insects, reptiles, mammals, and birds, this fragile ecosystem remains imperiled. The ongoing precarity offers an opportunity to reframe our interdependent relationship with this natural ecosystem and modes of planetary knowledge erased or ignored by the progress of modernity. The Antelope Valley, like so many other regions, bears witness to a somber past. This history subtly reminds us of the challenges and narratives that have shaped this land over the years. Human appetites for exponential growth and advancement have caused enormous harm: ecological, historical, and cultural. Lifelines underscores the majesty of Joshua trees in the form of towering, breathing trees that rhythmically expand and contract. They have been rendered digitally with glowing interiors, glimpsed with each exhale, to imply a mythic grandeur. By scaling the trees to colossal proportions, Baker Cahill challenges human exceptionalism. AR as a medium allows viewers to re-embed the human experience in nature without harming local flora and fauna, and to embrace new modes of perceiving. Unlike other forms of land art, AR is distinct in its ability to be both present and absent, to reveal what otherwise goes unseen, unheard, and unimagined. An elegiac melody, which weaves together five native bird songs, ambient desert sounds, and breathing, plays throughout the experience—at once celebratory, melancholy, and resilient. Bird songs are essential to Lifelines not just because of the plurality of songs heard today, but because of the traditional “Bird Songs” of the region’s First Peoples, social and funeral songs that tell migration stories, shared memories, and histories. To move through the PDWP is to encounter its enduring planetary intelligence, above and below ground. It offers a rare glimpse into how a protected desert ecosystem might thrive when treated with care and respect. Lifelines invites new considerations for its troubled past, imperiled present, and modes of inherited knowledge, which present the possibility of regenerative futures here and beyond. Lifelines , 2023 Nancy Baker Cahill Soundscape by Anna Luisa Petrisko Production by Shaking Earth Digital Located at Prime Desert Woodland Preserve 43201 35th St W, Lancaster, CA 93536

2021 < View Public Art Projects Kim Sielbeck Crosswalk Mural 2021 Temporary Art Project Watch the video of the painting of Kim Sielbeck's crosswalk mural!

2022 < View Public Art Projects Dan Droz's The Greeting 2022 Permanent Art Project By Dan Droz The Greeting , a new permanent, public art sculpture by artist Dan Droz, is now installed at the corner of Lancaster BLVD and Ehrlich Avenue. In collaboration with the Lancaster Museum of Art and History (MOAH) and Droz, the museum commissioned the new public art sculpture to engage and elevate the public space around the museum. The sculpture will serve as a defining landmark for the community, where people can gather and create meaningful connections between the museum, public space, and community members. The sculpture depicts colorful, abstract figures gathering to meet at MOAH, but from a different angle reveals other images like people high-fiving one another. The color palette is also an essential part of the design for the sculpture, connecting the story of the desert landscape and the diversity of the Antelope Valley community. Droz believes that sculptures like The Greeting help people understand that art is not just about the aesthetic but can speak to a story that is relevant to peoples’ lives. Droz is a full-time sculptor that engages with themes surrounding relationships, family, and the community. Before becoming a sculptor, Droz had a 45-year career as a design and marketing consultant and was a professor at Carnegie Mellon University. In addition to being shown at the Lancaster Museum of Art and History, Droz has been commissioned for work at the entrance to the Heritage Trail in downtown Pittsburgh, and Oxon-Hill Sculpture Park in Washington, DC, among others. Take home your own miniature The Greeting , available in The Vault Store. Purchase Now