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< Back Andrew K. Thompson Andrew K. Thompson challenges photography's ideals of perfection through a playful and experimental approach. Guided by a simple “What if?” question, his work embraces research and discovery, exemplified by projects like Melting Cameras, where camera-shaped ice cubes made with Caffenol melt onto black-and-white photographic paper. Aiming to transgress the norms of photography, artist Andrew K. Thompson’s work critiques the perceived ideals of perfection typically associated with the medium. His unique practice and process beings with a simple question of “What if?”. This “What if?” factor has allowed Thompson the flexibility of research, play, and discovery, spawning projects such as his Melting Cameras series, which consists of camera-shaped ice cubes made with Caffenol, an alternate photographic process that utilizes unconventional photographic developer, melted onto black-and-white photographic paper. Thompson’s artistic ethos can be further seen in the gritty and ad hoc, handmade qualities in his work. The artist’s hand is an essential element of his process, with Thompson utilizing photography as a tool that is part of one’s artistic practice rather than just a strict medium. He notes that “I believe the tool doesn’t build a house; the hand that wields the tool does.” In all, Thompson’s practice pokes fun at the conventions and systems that make up photography, allowing photography itself to transcend its typical two-dimensional bounds. Previous Next

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back to list Tran Nguyen TRAN NGUYEN is an award-winning illustrator & gallery artist. Born in Can Tho, Vietnam, she currently resides in the peachy state of Georgia. Tran's paintings are created with a soft, delicate quality using colored pencil and acrylic on paper.

back to list Koko and Nuri Koko + Nuri are an Antelope Valley-based duo whose stylized, graphic depictions of flora and fauna are represented in a variety of media including illustration, design, and large-scale murals. Employing both traditional techniques and digital media, they have designed for Disney, storyboarded for Uber, illustrated for Airbnb, have a published picture book, and have painted walls at numerous sites around the Antelope Valley, including a mural with Walls Worldwide, as well as, in Flint, Michigan, part of the Free City Mural Festival. Nuri's Website Nuri's Instagram Koko's Instagram

2016 < View Public Art Projects Astral Challenger 2016 Permanent Art Project Commissioned by the City of Lancaster as part of the Arts and Public Places program, “Astral Challenger” was created by Los Angeles-based artist Shana Mabari. The sculpture was commissioned in honor of the thirtieth anniversary of the Space Shuttle Challenger disaster, and was installed at the intersection of Challenger Way and Avenue L. Challenger was assembled at the Palmdale Lockheed plant and used what is now known as Challenger Way as its transportation route from Palmdale to Edwards Air Force Base. Formerly named 10th Street East, the street was renamed shortly after the disaster by the Lancaster City Council to honor the lives that were lost. The blue panels on the sculpture represent the seven lives lost, plus an additional panel for the remaining loved ones who still mourn their loss. The roundabout was opened in February, 2016, and “Astral Challenger” was installed in May.

< Back to ACTIVATION 1/4 Sergio Hernandez Chicano Time Capsule, Nelli Quitoani January 22 - April 17, 2022 For forty years, the late Chicano artist and cartoonist Sergio Hernandez has echoed important cultural topics and socio-political issues of the Chicano community. Early on, Hernandez began working for “Con Safos Magazine”, the first Chicano literary magazine. Upon being recruited by “Con Safos” member and artist Tony Gomez, Hernandez began to align his practice with themes related to the emerging Chicano Movement or “El Movimiento”. The Chicano Movement was and still is geared toward advocating for “social and political empowerment through “chicanismo”, the idea of taking pride in one’s Mexican-American heritage, or cultural nationalism.” Across painting, cartoons, and murals, Hernandez satires socio-political happenings and provides an intimate perspective of the Chicano community. Influenced by Chicano culture, iconography, and artists alike, Hernandez’s work became a beacon calling for action and attention to the harsh realities faced by the Chicano community. The artworks in this exhibition are a small yet compelling collection of Hernandez’s contribution to the Chicano art and power movements. The panel of comic strips on display belong to the “Arnie and Porfi” comic series. Struggling with the duality of his identity as a Mexican- American, Hernandez often battled with his internal desire to adhere to conservative family-views and his newly found chicanismo. Hernandez expressed this conflict through satire and comedic relief through the Arnie and Porfi comics, visualizing the dystopian world. In other words, through art and humor Hernandez exposes the political oddities and disproportionate disparity experienced by Mexican- Americans. Sergio Hernandez (1948-2021) was born and raised in Los Angeles, California in the South Central area known as the Florence/Firestone District. He received his Bachelor Degree in Chicano Studies from San Fernando Valley State College, which is now known as the California State University, Northridge. Previous Next

Kendall Segale < Back Ripped from the Ground By Kendall Segale Ripped from the ground Taken from my home Unable to fight back Transplanted to unknown territory No one here is like me Not even myself, unfamiliar Budded then flowered Seasons change, time passes I branch out to feel beyond But over time, I wilt Creatures hide beneath me Protecting them, I am mother Roots run deep Wind comes in hopes of lifting them Unsuccessful but never gives up Pushing past my breaking point I don’t give up Now I can fight back Breath, I tell myself Nearing the end weak and accomplished I see my wind planted sprouts The sun so hot on my branches I let the light in I am carried on Previous Next

back to list Tina Dille Merging wildlife and contemporary art, Tina Dille is best known for her expressive watercolors in which creatures emerge from the canvas. Each painting's content is determined by its initial layer. The use of free flowing mediums and in-depth research of the animal provides her the opportunity to create something with its own voice that she offers the viewer to interpret.

back to list Amandalynn Amandalynn is a muralist and fine artist based in Northern California. Inspired by the feminine in all things, Amandalynn depicts the subtle beauty of the natural world and humankind, through illustrated line work and decorative patterning. Her works can be found in galleries and streets all over the world. She began developing her distinct Street Art style mural work in 2001, painting alongside the graffiti community of San Francisco. Amandalynn is very passionate about her outdoor mural work and still enjoys collaborating with a variety of different artists, as well as creating large solo works. Fine Art also plays a key role in Amandalynn's life, as she continues to develop her career as a professional gallery artist. She has a bachelor’s degree of Fine Art from the San Francisco Academy of Art, and recently has started teaching mural classes to middle and high school students. Amandalynn believes that sharing the creative process with others is the key to living an inspired life.

Samantha Martinez < Back Rosemary By Samantha Martinez Name Rosemary, Rosemary they say originally from the Mediterranean which in Latin means dew of the sea. Date of entry unknown: I remember being sprouted from a tough, dry ground, only receiving water once in a while, allowing me to expand my roots slowly. Around me were my three older plants, and later on, the pitiful woman I call mother gave birth to seven more despite my pleas. I would plead to her to stop sprouting because we were poor, POOR something she could not grasp. I was forced to take root much faster than my family as I was in charge of nourishing my siblings and washing their aromatic leaves, feeling how they were connected by a delicate stem pricking myself each time. However, after 21 years, I had my own seed to worry about. I still remember coming home each day, being unnourished from traveling miles in a pot, somehow finding my way home each time only to find that there was no food in the garden knowing better than to ask my mother plant I would withhold the pain I felt in my stem. The only thing my son received daily when in my womb was water and the nutrients my soil provided me with. In two years’ time, my sunshine was pulled away from me; I was being ripped away from my sprout by a man who picked me up from my roots and confined me until we reached what was known as “ the land where dreams came true.” I had made it; I had escaped my poverty but at what cost. The cost of leaving my tiny sprout behind with the motherly plant I hated? With the plant, I had promised to shelter him from? NO, NO, I could not accept this reality, so I went back, back, back on my own terms. I remember hiding through the bushes that seemed familiar, the sunshine that became the fear of being caught, the abuse I had to withstand each day ripping my long, skinny, and once beautiful leaves from my stem, allowing me to feel each emotion and temperature brush my skin. Then when I had given up all hope, I started to smell an air that I had grown to find comforting; I had made it, I made it back to my land to see my bud. Forwarding a couple of months, the MAN returned, pleading for me to grab my once rejected bud and go back to America. My innocent and fragile self back then thought it was the best thing to do. So I go back except this time my flowerlet is feeling the way the dirt becomes an accessory on our delicate green leaves, how the ground goes from cold to hot from dry to wet—counting the days that would go by, by taking note of when the sun rose and when it set. In a week’s time, we made it; I had successively done the impossible Twice. Nevertheless, life was not all sunshine and daisies but more like pouring rain and thunder. I was getting physically and mentally abused by this MAN who swore he was going to change. Plumule, my plumule, was asking for a sister because he felt lonely and unwanted, but I had learned from my momma plants flaws. I had learned not to bring an innocent seed into a world full of neglect. Then my Plumule told me something that shattered my heart; he missed his “mom,” he missed the motherly plant I had grown to hate. So we returned, we went back to the tunnels of darkness, the place where chills ran up and down your peduncle no matter the weather. The mountains that stunk of fear and desperation reminding me of my once comforting smell of bitterness with a slight sweetness. An aroma that would start to burn if you stood and smelt it for too long. Again my bud and I found ourselves in our Tierra, Linda, y Querida (land), and this time; I promised myself that I would start a life in the land I wanted to escape from so severely. But it is said that once you see shadows, they will never leave your side, and in 6 months, the man returned, and I was back by his side in the promised land. Again how could I be so naive to believe his trancing words? He would leave for months on end, leaving me alone in a tiny room in a city I did not know with no nourishment and no one to talk to. It got so bad that I felt as though I was shriveling and drying up in the corner I called home. One thing, however, did stay true about my promise to myself, and that was never neglecting my flowerlet as my mother plant did to me, which is why for ten years, I would attempt the impossible just to see my plumule for a few weeks until his wish came true and my daughter sprout was born. She was born, and the bud who wished for her so badly could not enjoy the blessing God gave me. He gave me this blessing to have someone to talk to in my solidarity and a guardian angel to guide me through my torment life. Always remember my kids the Name is rosemary, rosemary they say originally from the Mediterranean, which in Latin means dew of the sea. A journal that is written using the stories my vigorous mother told at “storytime.” By the daughter that became familiar with neglect through a different path. Previous Next

Skytower Park Murals The Skytower Park Community Mural Painting project was a multiday creative event held in the Spring of 2022. Community members of all ages were invited to join community engagement artist Vojislav Radovanovic in the two-phase process of planning and painting of over 300 ft of murals at Skytower Park, 43434 Vineyard Dr, Lancaster, CA 93535. The Lancaster Museum of Art and History is dedicated to strengthening awareness, enhancing accessibility, and igniting the appreciation of art, history, and culture in the Antelope Valley through creative community engagement and vibrant public art projects that celebrate the richness of the region. Phase One Phase Two Completion On March 12, 2022, MOAH and Artist At Work, Vojislav Radovanović, organized the First Community engaged artistic workshop in Skytower Park in Lancaster, CA, where community members gathered and provided input about future murals in the park. Approximately 60-65 neighbors actively participated in the workshop creating drawings and collages. Critical data was also collected through questionnaire forms where participants were asked to pick specific words that resonated with them the most, and that they would recognize as values that future murals should represent. The artworks and questionnaire data gathered during the workshop were compiled and reviewed to develop the final two mural concepts: Day and Night. The murals feature favorite flora and fauna from Antelope Valley with the characteristic landscape and mountain ranges. During the next month and a half, Radovanović spent time developing sketches and drawings that would resemble cartoonish and illustrative style. Sketches for the Night Time Mural - South Wall, 164 ft long Sketches for the Day Time Mural - North Wall, 148 ft long On May 7, 2022, a second workshop was held and community members were invited to join Radovanović in painting the mural concepts. Paints and brushes were provided for everyone who wanted to participate. More than 70 individuals collectively painted both murals in just a few hours. After the workshop, Radovanović spent an additional month refining details as a final layer of the murals. I’m a Return and Refund policy. I’m a great place to let your customers know what to do in case they are dissatisfied with their purchase. Having a straightforward refund or exchange policy is a great way to build trust and reassure your customers that they can buy with confidence. On March 12, 2022, MOAH and Artist At Wok Vojislav Radovanović organized the First Community engaged artistic workshop in Skytower Park in Lancaster, CA, where community members gathered and provided input about future murals in the park. Approximately 60-65 neighbors actively participated in the workshop creating drawings and collages. Critical data was also collected through questionnaire forms where participants were asked to pick specific words that resonated with them the most, and that they would recognize as values that future murals should represent. The artworks and questionnaire data gathered during the workshop were compiled and reviewed to develop the final two mural concepts: Day and Night. The murals feature favorite flora and fauna from Antelope Valley with the characteristic landscape and mountain ranges. During the next month and a half, Radovanović spent time developing sketches and drawings that would resemble cartoonish and illustrative style. Sketches for the Night Time Mural - South Wall, 164 ft long Sketches for the Day Time Mural - North Wall, 148 ft long

2014 < View Public Art Projects One Desert Sky 2014 Permanent Art Project By Brad Howe Drawing upon the stories of local Antelope Valley residents, artist and Antelope Valley native Brad Howe created the installation that now hangs in the atrium of the High Desert Regional Health Center, located on Avenue I and. Taking mental pictures from these stories, Howe turned them into actual images – 8,000 laser-cut aluminum plates painted blue. Spearheaded by the Lancaster Museum of Art and History, a naming contest took place with the winning name being “One Desert Sky” – an imagine invoked by the blue images and the stories behind them.