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  • Artist As Subject

    Produced by Eric Minh Swenson, these two videos encompass an overview of the entire Artist as Subject exhibition, as well as a spotlight video on his own show in the exhibition, Art Stars. Art Stars covers over 160 images of art world luminaries that Eric Minh Swenson has taken over the years. The largest issue of Coagula ever in its 24 year history. Artists, writers, curators, dealers, publicists, museum directors. Could be the largest art world survey taken in a short amount of time. Eric Minh Swenson grew up in San Antonio, Texas through his father discovered the craft of photography. Swenson captures moments that are spontaneous and impromptu while utilizing color and texture to expand his artistic horizon. He shares that the inspiration comes through architecture, vibrant landmarks, music, and various other art forms, relating to Fauvist techniques. After a move to Hollywood in the 1990’s, Swenson found a passion in cinema and began to produce documentaries and promos for other artists, curators and fine art collectors. His art focuses on celebrating the culture and art of Southern California and how it is always developing just like he is. Eric Swenson was born in Honolulu, Hawaii, but relocated shortly after. Though he never took an art class prior to college, he graduated with a Fine Arts Degree after attending both the University of Texas in San Antonio and Brigham Young University in Utah. Upon receiving his degree, Swenson went on to form a film society, producing over 600 short films as well as producing and directing four feature length narrative films and a documentary. Swenson has also relentlessly photographed art openings across the Southland, ardently bringing the milieu to the public eye while capturing artists, collectors and enthusiasts in situ. In 2001, he moved to the Southern California. Through his emphasis on the documentation of the Los Angeles art scene, Swenson focuses much of his attention on bringing public awareness into the realm of art as a cultural experience. The videos can be found at https://vimeo.com/f64productions

  • Artbound: Regarding Us

    Through the Antelope Valley Art Outpost, the Regarding Us project developed, giving insight to the arts and cultural environment in the Antelope Valley. Written by our MOAH:CEDAR curator, Robert Benitez, read the article featured on KCET's Artbound. "It is a vital time for the greater Antelope Valley. New economic opportunities stemming from the region’s flourishing technology and environmental sustainability sectors are coinciding with noticeable cultural changes. To support these shifts, MOAH is spearheading the development of a five-year Cultural Master Plan, including an arts-in-public-places policy. Not only are artists an essential part of our community, but they will bring a vital perspective and critical lens to the planning process. Together, we will grow with, from and through these cultural interactions, and our communities will directly reflect that growth. The "Regarding Us Chain Letter Project" and the Cultural Master Plan are tied to our unique identity, engaging people from our community and allowing them to experience the local richness of the arts firsthand." Read the rest here.

  • art ltd. - Rebecca Campbell

    Read up on Rebecca Campbell's work which will be exhbited at MOAH as part of our summer showcase, Artist As Subject that opens May 7. "Rebecca Campbell at just 44 is already established as one of the most intriguing and accomplished artists of her generation and a brightly burning star of the Los Angeles painting firmament. What is particularly fascinating about her popularity (among curators, critics, collectors, and most especially other painters) is that she arrived at it while practicing an almost counter-revolutionary dedication to craftsmanship, technique, and facility in the historically conventional genre of representational, narrative, and [gasp] deeply personal figurative painting, at a time when academic thought heavily favored conceptual, abstract modes of art making. But if the region-wide Rebecca Campbell exhibition juggernaut that has been her 2016 so far is any indication, it may finally be time to pronounce that particular mountain conquered." Read the rest.

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