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< Back Osceola Refetoff Osceola Refetoff is a Canadian American visual artist and photojournalist renowned for his experimental use of infrared and pinhole photography to explore humanity's connection to the physical world. His work blends photojournalism and fine art, producing hyper-realistic yet surreal images. Osceola Refetoff is a Canadian American visual artist and photojournalist known for his experimental and innovative use of infrared and pinhole photography to document humanity’s ongoing relationship to the physical world. Across parallel careers in photojournalism and fine art, his diverse series are characterized by a hyper-realistic yet nuanced clarity, often yielding surreal, even dreamlike images. A graduate of New York University’s Master of Fine Arts Film Program, Refetoff’s motion picture background informs a distinctly cinematic approach to constructing engaging visual narratives that explore both time and space. Key to this practice is the artist’s old-school commitment to capturing his scenes “in-camera,” using archaic lens filters and handmade pinhole attachments that do not alter reality but instead offer new ways to see it. This foundationally realist approach combined with the magic of historical and alternative photographic processes yields a prismatic array of images that transform the external world into something both unchanged and extraordinary. Previous Next

Artist Lorraine Bubar explored the Prime Desert Woodland Preserve during a six-month period in 2025 as part of the Elyze Clifford Interpretive Center (ECIC) Artist-in-Residence program. In that time, she created beautiful papercut artworks inspired by the Mojave Desert landscape. Her colorful, layered paper pieces capture the unique plants, animals, and natural beauty of this special urban desert oasis. The work on view in her exhibition at ECIC are print reproductions of these cut paper works she created through a technique that she sees as painting with paper. These intricate designs weave together themes of metamorphosis, movement, and the hierarchies of desert life. Her artwork celebrates the amazing ecosystems found right here in our local preserve. During her residency, Bubar also taught community workshops, sharing her love of art and nature with visitors. Artwork provided by Lorraine Bubar Elyze Clifford Interpretive Center: 43201 35th St W, Lancaster, CA 93536 << Back to PDWP & ECIC page

Galia LinnVessels and GuardiansSurrounded by archeological sites and spaces in war-torn Israel, Galia Linn gained inspiration from ancient and contemporary relics from past and present civilizations. She reacts to these relics and stories through her sculptures, paintings, and site-responsive installations. < Back Galia Linn, Stone Guardian Galia Linn, Studio Shot Galia Linn, Ancient Vessels of the Divine Galia Linn, Stone Guardian 1/6 Galia Linn Vessels and Guardians Surrounded by archeological sites and spaces in war-torn Israel, Galia Linn gained inspiration from ancient and contemporary relics from past and present civilizations. She reacts to these relics and stories through her sculptures, paintings, and site-responsive installations. Linn creates imperfect vessels used to relay the elemental tensions between the material she works with and the stories and relics that emerge. Through the cracks, fissures, ruptures, and fractures within Linn’s ceramics, metalworks, paintings, and installations, she imbues an aged aesthetic that references layers of Middle Eastern history. For Linn, the imperfect nature of her works is meant to show the vulnerability of humankind and the grandeur and form allude to the interior strength and resilience. Brokenness should be embraced as the objects come to symbolize perseverance and healing, where there is no separation between the vessels she creates and her physical body. Previous Next

< Back Earth Signals North Gallery Eli McMullen Through ethereal environments and abstracted forms, artist Eli McMullen creates scenes that morph reality into dreamscapes. Rendered in acrylic, McMullen’s paintings converge themes of spirituality, nature, and metaphysical energy. The liminal space between the real and the imaginary is central to his work. Light seems to shimmer from thin air, dappling the forests and structures that fill his compositions, resulting in an otherworldly depiction of an organic and familiar environment. Through this work, McMullen channels his own perception of creativity; one that is rooted in realism but eventually wanders into another dimension. To him, this process mimics the act of painting itself, noting that it is an experimental endeavor that bridges one’s internal consciousness with their surroundings. IMAGE CREDIT: Eli McMullen, Kismet Gateway (detail), Acrylic on cradled wood panel, 2025 Courtesy of Thinkspace Projects Previous Next

< Back Chelsea Dean Featured Structure Artist Chelsea Dean is an American multidisciplinary artist whose work examines and documents the relationship between the landscape, home, and time. While rooted in photographic processes, Dean’s work is ultimately an assemblage of various media. She utilizes paint, collage, print, illustration, as well as found objects to help produce a physical interpretation of the spaces she encounters. Informed by her time spent in and around decrepit and abandoned desert dwellings in southern California’s Wonder Valley, her artistic practice is defined by both structure and entropy. Physical and metaphysical structures can be examined in her work through the use of architecture and personal artifacts that link the memories of an almost forgotten, bygone era to today’s consciousness. These elements are in constant flux, left to the mercy of the natural world. Time proves to be the main subject of her work, acting as the catalyst for decay. Aspects of home life are prominent in Dean’s work. Remnants of a past life no longer act as detritus, but instead embody a sense of humanity. The use of older furniture, rugs, and other home decorations are utilized in her installation works while her mixed-media and photographic work are filled with the imagery of structures and interior spaces. This highlight of the domestic space creates a sense of familiarity within her work. Architectural elements such as wooden posts and siding are showcased in a deteriorated state. Metallic media such as silver foil and gold leaf act as a reminder of once glamorous and ambitious ideals of past homesteaders now left behind. Textures of paint, fabric, and paper inform the idea of domesticity. Her compositions tend to hold a state of tension between environmental stresses and man-made structures, capturing moments that seem to perpetually teeter towards the edge of oblivion. Dean earned her Bachelor of Arts in Studio Art from the University of Puget Sound in 2000 and then her Master of Fine Arts from Claremont Graduate University in 2005. Dean has exhibited work in numerous group and solo exhibitions worldwide at galleries such as PØST, Cirrus Gallery, Gallery Lara Tokyo, as well as many others. She currently resides and continues her art practice in Los Angeles, California. Previous Next

< Back Brad Miller Brad Miller’s work draws inspiration from the fractal patterns of the physical world, which have been transformed into symbolic motifs across cultures for thousands of years. Miller’s practice explores archetypal patterns such as spirals, close-packing forms, and dendritic systems. The spontaneous fractal patterns that form in the physical world have always captured artist Brad Miller’s attention. Over time, he noticed that for thousands of years, several of these patterns have been internalized and transformed by people worldwide into content-laden symbols. One ever-present example is the variations of stylized spirals. They are seen on many objects throughout history: a Mimbres pot, Celtic tombstones, Van Gogh’s Starry Night and 5,000-year-old Chinese pots from Majiayao. With today’s technologies pushing the limits of seeing into and out to the edges of the universe, these familiar patterns constantly reappear. In his artistic practice, Miller explores several of these archetypal patterns, including spirals, close-packing patterns, and dendritic systems. Using diverse materials and processes including silver-gelatin photograms, pyrographic drawing, and ceramics, Miller infuses his work with these timeless and familiar patterns, as they dance between order and chaos. Previous Next

news archive: 07/08/15 MAYA EXCURSION with Bruce Love, Ph.D. & Stevie Love, MFA 06/17/15 Artweek.LA Cover Story "The Importance of Flower Paintings" MOAH FLORA 05/29/15 Conversation with President Bruce W. Ferguson and Social Practice Artist Rick Lowe 05/19/15 AV Outpost Brings an Ambitious Program of Social Practive to AV 02/24/15 30th Annual Juried Art Show at MOAH to Feature Two Distinguished Judges 01/27/15 Huffington Post: MOAH Artist Andrew Frieder Featured at Outsider Art Fair 01/07/15 KCET ARTBOUND: "Being Here and There: Ambiguous Boundaries and Contested Terrains" 12/16/14 MOAH's "Being Here and There" Cover Story of ARTWEEK.LA 08/14/14 Cedar Center Alive Again 08/13/14 MOAH Manager Andi Campognone appointed to Executive Committee of Art Table LA Branch 03/30/14 MOAH Featured in ARTILLERY MAGAZINE for "Colorimetry" Show 03/24/14 John Van Hamersveld interviews on 'The Poster Show' 02/25/14 MOAH featured in Italian Magazine, Drost Effect: "Colorimetry Uses Color as Instigator" 10/27/13 Eastside High students turn illegally dumped waste into art 09/17/13 Tim Youd: An Art of Sound and Word 08/26/13 Firm has sights set on space, beyond 08/25/13 Old, young theme of workshop 08/13/13 Artist critique slated for museum forum 07/29/13 Museum set to take flight with four new exhibits 05/14/13 Flowers, “SuperCallaFragileMysticEcstasyDioecious,” Bloom at MOAH 05/13/13 Eastside in Full Bloom With Artistic Pieces 05/03/13 The Social Art of Jorg Dubin 05/01/13 Art Ltd.-Artist Profile: Gary Lang 04/17/13 The Brave Gestures Of Gary Lang 07/01/12 Art Ltd-A New Art Museum for the Antelope Valley 06/28/12 Budding Young Artists Flock to MOAH Art Workshop Thursday 05/14/12 A Moon-Age Daydream: The Collision of Arts and the Aerospace Industry 05/02/12 New Museum of Art and History prepares to open in Lancaster 04/29/12 MOAH adds to BLVD 04/25/12 The MOAH the Merrier - Museum to open May 5 04/05/12 Lancaster Hit By 'Yarn Bombing' 03/21/12 Museum of Art and History set to make opening debut 02/06/12 Campognone Looks To Put Impressive Stamp On MOAH 02/02/12 Lancaster's Pro Tem Curator Looks Eagerly To Future 01/16/12 Museum Piece Declares, 'IT'S WAR!' 01/12/12 The MOAH the merrier: New museum twice as big as old

Kiel JohnsonNotes on a Morning WalkThe idea of “work as play” is central to Kiel Johnson’s art practice bringing a sense of curiosity and exploration through his whimsical creations. His primary focus is on drawings and sculpture that speak to the travels and adventures of his everyday life. Johnson’s sculptures and drawings serve as a visual diary that captures his animated and vast stream of consciousness. < Back Kiel Johnson, Notes on a Morning Walk Kiel Johnson, Notes on a Morning Walk 1/1 Kiel Johnson Notes on a Morning Walk The idea of “work as play” is central to Kiel Johnson’s art practice bringing a sense of curiosity and exploration through his whimsical creations. His primary focus is on drawings and sculpture that speak to the travels and adventures of his everyday life. Johnson’s sculptures and drawings serve as a visual diary that captures his animated and vast stream of consciousness. Inspired by odd discoveries, coincidence and chance, Johnson seeks to personify inanimate subjects. Johnson brings a sense of curiosity and exploration to the viewer, utilizing the world and its curiosities as his palette and canvas. His creations are inspired by robots, Greek sculpture, Egyptian gods, boats, and spaceships, among others, are a visual language that is an embodiment of Johnson’s humorous and energetic mind and eye. Through his heightened level of inquisitiveness and playfulness, Johnson continues to explore places, objects, and spaces that exist within his imagination. Previous Next

< Back to ACTIVATION 1/12 Carla Jay Harris A Season in the Wilderness January 22 - April 17, 2022 Born in Indiana while her father was stationed at Fort Benjamin, Carla Jay Harris spent most of her childhood in flux, moving every two or three years in and out of the United States. “My nomadic childhood is what, in part, has attracted me to photography. The camera is a way for me to attach permanence,” she says. “A Season in the Wilderness” is the most recent development of “Celestial Bodies”, an ongoing series by Harris, which stems from her experiences as a ‘third-culture kid’ — feeling othered by race, culture, language, and nationality. “Throughout history, mythology has served humankind’s need to understand its surroundings... Through myth-making, I have been able to tap into a sense of belonging that extends from a connection to universal cultural concerns and narratives,” Harris says. Carla Jay Harris trained as a photographer and cinematographer, working in the commercial art field in New York for nearly ten years before committing herself to a contemporary art practice in 2011. In 2013, she moved to Southern California to earn her Master of Fine Arts degree at the University of California, Los Angeles, and has stayed in the area ever since. Over the last decade, Carla Jay Harris’ artistic practice has evolved to include installation, collage, and drawing in addition to photographic methods. Harris has exhibited extensively in California and on the East Coast, participating in solo, two-person, and group exhibitions. She has received numerous awards, grants, residencies, and fellowships, and her work can be found in the collections of the California African American Museum in Los Angeles, the Crocker Art Museum in Sacramento, and the Lancaster Museum of Art and History, among others. Previous Next

back to list Dan Witz Brooklyn, NY based street artist and realist painter. He grew up in Chicago, IL, and graduated in 1981 from Cooper Union, on New York City’s Lower East Side. Witz, consistently active since the late 1970s, is one of the pioneers of the street art movement.

CrossWINDS focuses on the local phenomenon of wind including the history and prevalence of wind power in the region and kinetic artists who put wind at the center of their practice. The project is designed to teach young people to become knowledgeable about the powerful local resource in order to create kinetic works of art. Student artist teams will co-create models of kinetic sculpture based on a curriculum co-written by the project partners. The curriculum is replicable and adaptable in schools across the High Desert and beyond. The works of art designed and generated by the students is a collaborative effort among numerous departments: Math, Science, English, Performing Arts, Foreign Language, Special Education, Physical Education, Social Science and Visual Art. The students in each department will be guided to gather data regarding wind and its impact on the environment. They will create models/small functioning kinetic sculptures inspired by the data and the designs of windmills, wind chimes, turbines and other kinetic art. In accordance with the multi-disciplinary mission of the Green MOAH Initiative, numerous departments are joining the project. The works of art are created by students through a collaborative effort among core departments such as Visual and Performing Arts, Math and Science. Additional departments including English, Foreign Language, Special Education, Physical Education, Social Science and more have been encouraged to get involved in complementary projects. The students in the core departments are guided to gather data regarding wind and its impact on the environment and the diverse array of turbine designs that harness wind for renewable energy. Students are creating functioning kinetic sculptures inspired by the data and the designs of windmills, wind chimes, turbines and other kinetic art. The projects teach students to innovate, communicate and collaborate, problem solve, think outside of the box, engage in an immersive multi-disciplinary creative process and learn how to work with new and recycled materials. Ultimately, the sculptures will generate power from the wind to illuminate LED strips incorporated into the work. The sculptures were tested for power levels by physics students and are used to raise public awareness about wind as an artful renewable resource. The sculptures will be exhibited at each partnering high school, MOAH and other locations and events in the community. Photography and film students are collaborating on a documentary of the creative process and creating posters to further educate the community about the project. Show More Project Photo Documentation Provided By : Edwin R. Vasquez

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