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1. SpaceShipOne is an experimental air-launched, rocket-powered aircraft manufactured by Scaled Composites that has a hybrid rocket motor allowing it to be capable of sub-orbital spaceflight 2. Map of Palmdale 3. The Boeing B-52 Stratofortress is an American long-range, subsonic, jet-powered strategic bomber. The B-52 was designed and built by Boeing, which has continued to provide support and upgrades. It has been operated by the United States Air Force since the 1950s •SpaceShipOne •Aerial Map of Palmdale (West to East) •B-52 Stratofortress 1/1 1. SpaceShipOne Photographic Print 2020.999.05 MOAH Digital Collection Gift of Edwards Air Force Base (AFFTC-HO) Scan the QR Code for more information 2. Aerial Map of Palmdale (West to East) Photographic Print 2019.19.04 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) Scan the QR Code for more information” 3. B-52 Stratofortress, c. 1960 Photographic Print 2012.999.56.02 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) 1. SpaceShipOne is an experimental air-launched, rocket-powered aircraft manufactured by Scaled Composites that has a hybrid rocket motor allowing it to be capable of sub-orbital spaceflight 2. Map of Palmdale 3. The Boeing B-52 Stratofortress is an American long-range, subsonic, jet-powered strategic bomber. The B-52 was designed and built by Boeing, which has continued to provide support and upgrades. It has been operated by the United States Air Force since the 1950s

back to list Christopher Konecki and Carley Ealey Konecki is self-taught artist and constantly experimenting. He is known for completing large scale aerosol murals, fine artwork including paintings and miniature sculptures, as well as various public and private site specific installations. Konecki's work is explorative of social consciousness, generally irreverent, and focused on subjects that are both serious and absurd. His use of found and 'repurposed' objects in his work advocates the reassessment of typical ideals of function and beauty. Elements of nature often collide with harsh urban landscapes and elements of street art and graffiti, symbolizing the ongoing struggle between the harmonious coexistence of these two competing monumental forces. Fine artist, muralist, photographer, and writer with a few hundred other secret talents, Carly Ealey has a knack for all things creative. With a natural inclination to painting the familiar figures of women in her work, Ealey prefers acrylic ink on wood panels when painting small, and spray paint when working on murals. However, she also incorporates her photography from time to time on a larger scale via wheatpaste.

< Back Ann Diener The Invented Land As a fourth-generation descendant of a Southern California farming family, Ann Diener has a deep connection to the land and is fascinated with its continual state of change. Several years ago, while visiting her late grandparents’ farm, she was struck by how abruptly and significantly this land had changed. No longer was she able to recognize her old haunts or familiar landmarks; the crops and trees were gone, the roads were reconfigured, and fertile farmland was covered in a shroud of industrial farming operations. The fields she explored as a child have since been transformed into a tessellation of suburban development, a sprawl of quotidian Southern California tract homes, strip malls and gas stations. Those fields that remain are farmed by large conglomerates-often owned by private equity firms in faraway places. Seeds are scientifically engineered, and food is grown on massive stretches of land or in enormous greenhouse structures. Technology remains as intrinsic to California’s agricultural future as artificial intelligence and the innovations of Silicon Valley. The ecosystems this technology generates is at the core of her work, resulting in intricate architecture and stunning complex visual landscapes. The paramount issue of California agriculture is water. California built the greatest agricultural machine in history, employing technology to grow food in massive amounts to feed the world’s growing population largely by controlling where water flows. However, this approach has dealt overarching environmental consequences, primarily water shortages caused by overuse, flooding, soil erosion, and subsidence. The adaptation of industrial agriculture to a changing climate represents a metaphor for climate change on a larger level. A changing climate requires judicious use of water, rehabilitating depleted soil, rotating crops, planting cover crops, and growing in places that were previously unsuitable for farming. With her drawings, she attempts to demonstrate this complex, evolving landscape, telling the story of these topics of inequality, water, and the vicissitudes of climate change through the complexities of modern-day agriculture. UPCOMING COMMUNITY ENGAGEMENT: The Invented Land Walkthrough with Ann Diener at MOAH Saturday, July 13 at 2 PM | Located at the Lancaster Museum of Art and History Join us for an exclusive walkthrough of Ann Diener: The Invented Land , on Saturday, July 13, 2024, at 2 PM! Discover her stunning art that reflects the evolving landscapes of Southern California. Don't miss this chance to explore the intricate connections between agriculture, technology, and climate change. Sign up now on Eventbrite ! Tickets are not mandatory but suggested 📅🔗 PST ART: Art & Science Collide , Getty Pacific Standard Time 2024 Preview event Saturday, August 3 at 2 PM | Located at the Lancaster Museum of Art and History Featuring an Ar tist Talk and Book Signing with Ann Diener and Debra Scacco Previous Next

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SOUTH BOUND NORTH BOUND SR 138 (SR 14) at Avenue M Interchange Community Engagement Project Southbound | Northbound , led by artist Dani Dodge , is a community engagement project that will inform the public art program for the slated Avenue M Interchange updates. The goal of the project is to understand current values and perceptions by Antelope Valley residents; assess the their views of the local ecology and technological innovation in the region; and build a lexicon that will guide the project with the future in mind. Residents can participate by submitting their photography, poetry and/or completing a short thought survey using the links above. Avenue M serves as the boundary between Lancaster and Palmdale, mostly known for its access to the California Poppy Reserve and the aerospace industry that has become synonymous with the region itself. In recent years, the route has symbolized an ideological boundary separating the two cities known to residents as “the cactus curtain.” New leadership, however, has encouraged the dissipation of such boundaries between the two cities, making way for a new frontier filled with opportunities for civic engagement between Lancaster and Palmdale, unifying the region as a whole. This openness has led to the development of Southbound | Northbound — a community engagement project inspired by the southbound and northbound lanes leading to and from the respective cities. The Cities of Lancaster and Palmdale have partnered together to commission the creation of two public art sculptures located on the Avenue M interchange of the southbound and northbound freeway on and off-ramps. With the help of the community, the goal of the project is to create sculptures that reflect residents’ view of the Antelope Valley, its two Cities, and the relationship between the two through a series of surveys and activation projects. This community engagement art project is born out of the City of Lancaster’s Art in Public Places initiative, a city program dedicated to commissioning, preserving and expanding public art in the community. Through the creation of original public art placed throughout the region, the City of Lancaster seeks to foster meaningful dialogue, augment cultural awareness, and improve the quality of life of Antelope Valley residents. *Are you an artist interested in submitting a public art proposal? Click here for more information on how to submit a request for qualifications (RFQ ). About Dani Dodge Dani Dodge is an artist who focuses on interactive art installations and public engagement nationally and internationally, including projects in Ireland and Greece. Her work that engaged the public at 2015’s LA Pride was named one of the outstanding public art projects of the year by Americans for the Arts. Many of her works have been focused on and in the Antelope Valley. In 2017, she led imaginative public art events in Lancaster and Palmdale to engage the community in a dialogue about the personal and public spaces in which we live. These included a project at the L.A. County Library in Lancaster where participants told Dani their life stories in 3 minutes and she created a title for them that was placed into a card catalogue, and later made into a book. Another public art event was held at the Joe Davies Heritage Airpark in Palmdale. There participants wrote where they most wanted to travel to on paper, folded that paper into airplanes and flew through a painted horizon. The same year, her solo exhibition at MOAH:CEDAR invited people to write their childhood memories on wood blocks and hide them in a shoebox under a bed elevated from the ceiling. In 2019, she completed a yearlong residency in Lancaster’s Prime Desert Woodland Preserve that included monthly art activations. The art activations engaged the community in art projects such as illustrated haiku, cyanotype, and watercolor painting focused on the desert plants, animals and geologic features. Through her art, Dani works to create engagements that expand people’s understanding of themselves and their environment. Dani Dodge

< Return to Exhibitions Grand Opening 2012 Smooth Operations: Substance and Surface in Southern California Art The Painted Desert Ron_Davis Thatcher May 5, - August 18, 2012 Learn More May 5, - September 16, 2012 Indians, Gold Miners and Gunslingers Smooth Operations: Substance and Surface in Southern California Art Lancaster's Museum of Art and History opens its new dedicated space with "Smooth Operations: Substance and Surface in Southern California Art," an exhibition looking at the use of new and untraditional materials in the fabrication of art objects. "Smooth Operations" will concentrate on the postwar years in and around Los Angeles, when experimentation with such unorthodox, even radical materials and qualities led to the emergence of movements such as finish/fetish and light-and-space. Among the artist whose work will comprise "Smooth Operations" are Peter Alexander, Larry Bell, DeWain Valentine, Ronald Davis, Craig Kauffman, Judy Chicago, Mary Corse, Roland Reiss, John McCracken, Helen Pashgian, Tony DeLap, VASA, Norman Zammitt, Fred Eversley, Jerome Mahoney, Doug Edge and Terry O'Shea. The work of several younger artists who investigate the qualities of synthetic materials, including Eric Johnson, Lisa Bartleson, Andy Moses, Alex Couwenberg, Ann Marie Rousseau, Ruth Pastine, Phlip K. Smith, Gisela Colon and Eric Zamitt, will augment the main part of the exhibition. In effect, "Smooth Operations" will be the first post-Pacific Standard Time exhibition in southern California, opening only days after the official end of the Getty's vast historic initiative but continuing in the spirit o fthat initiative. Like PST, "Smooth Operations" examines aspects of modernism in southern California and their implications for contmeporary artistic practice and scholarship. The Painted Desert The Painted Desert represents diverse perspectives, interpretations and techniques addressing the dessert as subject. This show celebrates its artistic traditions both through process and concept. Paintings by artists Dennis Calaba, Cole Case, Todd Cooper, Jorg Dubin, Robert Dunahay, Smantha Fields, Richard Gallego, Kris Holladay, Christine Kline, Glen Knowles, Ellie Korn, Gregory Martin, Al Miller, Donnie Molls, Debbie Nelson, Ann Sly, Gerald Strangio, Sal Vasquez, Donna Weil and Andre Yi will grace the second floor of MOAH. Indians, Gold Miners and Gunslingers "In small things forgotten..." writes American archaeologist James Deetz, we remember our past. It is in the seemingly insignificant remnants of daily life that we can reconstruct teh history of a people. We can learn their values, derive their prosperity and visit the essence of their existence. In the beginning, Lancaster was a rough and tumble stagecoach and whistle stop thorugh the upper Mojave Desert for weary travelers on their way south toward the Los Angeles Basin or norht toward the San Joaquin Valley. Driving through the City of Lancaster today, it is difficult to imagine a time when Indians populated the landscape, gold mining was a profession and gun slinging was a means of survival. However, prior to 1930, a way of life in Lancaster, CA could be described as just this. Outpost, stagecoach stop, railroad stop, frontier—these are all words that described the area that would be Lancaster prior to 1930. Lancaster was part of the Old West. Come enjoy a brief look back at the people and industry of our predecessors, the things they left behind and the legacy they leave us. As you contemplate the history of Lancaster in the Old West the goal is that you will come away with an appreciation for what life wa like in the past and what it is today. The artifacts and photos of a time gone by seem to say, "Don't read what we have written, see what we have done". (James Deetz) Smooth Desert Gold View or Download the Grand Opening Exhibition Catalog by clicking on the cover image or here.

< Back Purple Sunset Atrium Alexis Mata Alexis Mata is a Mexico City based multimedia artist, whose digitally altered landscapes explore the complexities of reality, perception, and beauty. His work investigates the ways in which technology distorts and enhances our understanding of the natural world, creating imagery that is both familiar and surreal. Purple Suns et portrays the desert flora surrounding Mexico City, evoking narratives of place and personal identity. Blending traditional oil painting with digital editing techniques and the use of artificial intelligence, Mata’s work explores the tensions between classical modes of representation and contemporary technology. This juxtaposition of realism and digital abstraction challenges viewers perception of authenticity and illusion. Through his hallucinatory compositions, Mata highlights the evolving relationship between technology and the environment. Previous Next

Special Projects What's in a Landscape? Southbound Northbound Count Me In Antelope Valley Walls™ Green MOAH Skytower Park Murals

back to list Lauren YS Lauren YS is a Los Angeles-based artist whose work is influenced by multiple stages of focus, both geographically and in practice. With dynamic bouts in academics, literature and writing, teaching, illustration, and animation leading up to her arrival in the urban art sphere, the influences of these phases of her own career add up to a robust style of murals and fine art. Lauren's work is influenced by dreams, mythology, death, comics, love, sex, psychedelia, animation and her Asian-American heritage.

Aili SchmeltzCairn 24Informed by the environmental, philosophical, and architectural histories of the American West, artist Aili Schmeltz creates sculptures and wall-hung works that combine painting, collage, embroidery, and ceramics. Her practice stems from a fascination of the desert landscape, research into feminist history, and an examination of the politics and utopian ideology associated to the development, destruction, and conservation of the West. < Back Aili Schmeltz, Cairn 24 Detail Aili Schmeltz, Cairn 24 Detail Aili Schmeltz, Cairn 24 Studio Angle Aili Schmeltz, Cairn 24 Detail 1/7 Aili Schmeltz Cairn 24 Informed by the environmental, philosophical, and architectural histories of the American West, artist Aili Schmeltz creates sculptures and wall-hung works that combine painting, collage, embroidery, and ceramics. Her practice stems from a fascination of the desert landscape, research into feminist history, and an examination of the politics and utopian ideology associated to the development, destruction, and conservation of the West. Schmeltz’s Cairn sculpture series employs architectural structural elements from Brutalist, Utopic, and Modernist traditions and echo the igneous rock and native plants of California’s Mojave Desert. The sculptures are a culmination of simplified and abstracted architectural motifs combined with the rough and weathered textures of earthenware. These elements are stacked and notched together, intertwining the architectural ideas of optimism with an awareness of the raw and unrefined elements that provide the material make-up of the work, creating objects that appear as hybrid futuristic relics. Previous Next

back to list Hot Tea Eric Rieger, a.k.a. HOTTEA, is a public installation artist from Minneapolis, Minnesota who creates work of a playful, graphic and ephemeral nature. He typically utilizes a single medium in his work – yarn – not only because of the intrinsic cultural value of yarn, but also because of the range and flexibility that this unique material gives him as an artist.

2023 < View Public Art Projects Nancy Baker Cahill's Lifelines 2023 Permanent Art Project Lifelines by Nancy Baker Cahill is an animated, monumental, augmented reality (AR) installation of ecological imagination. Geolocated in the Prime Desert Woodland Preserve (PDWP), a protected, historic desert in California’s Antelope Valley, Lifelines appears as three colossal Joshua trees surrounded by a ghostly murmuration of birds. Rich with wildlife and home to many species of insects, reptiles, mammals, and birds, this fragile ecosystem remains imperiled. The ongoing precarity offers an opportunity to reframe our interdependent relationship with this natural ecosystem and modes of planetary knowledge erased or ignored by the progress of modernity. The Antelope Valley, like so many other regions, bears witness to a somber past. This history subtly reminds us of the challenges and narratives that have shaped this land over the years. Human appetites for exponential growth and advancement have caused enormous harm: ecological, historical, and cultural. Lifelines underscores the majesty of Joshua trees in the form of towering, breathing trees that rhythmically expand and contract. They have been rendered digitally with glowing interiors, glimpsed with each exhale, to imply a mythic grandeur. By scaling the trees to colossal proportions, Baker Cahill challenges human exceptionalism. AR as a medium allows viewers to re-embed the human experience in nature without harming local flora and fauna, and to embrace new modes of perceiving. Unlike other forms of land art, AR is distinct in its ability to be both present and absent, to reveal what otherwise goes unseen, unheard, and unimagined. An elegiac melody, which weaves together five native bird songs, ambient desert sounds, and breathing, plays throughout the experience—at once celebratory, melancholy, and resilient. Bird songs are essential to Lifelines not just because of the plurality of songs heard today, but because of the traditional “Bird Songs” of the region’s First Peoples, social and funeral songs that tell migration stories, shared memories, and histories. To move through the PDWP is to encounter its enduring planetary intelligence, above and below ground. It offers a rare glimpse into how a protected desert ecosystem might thrive when treated with care and respect. Lifelines invites new considerations for its troubled past, imperiled present, and modes of inherited knowledge, which present the possibility of regenerative futures here and beyond. Lifelines , 2023 Nancy Baker Cahill Soundscape by Anna Luisa Petrisko Production by Shaking Earth Digital Located at Prime Desert Woodland Preserve 43201 35th St W, Lancaster, CA 93536