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back to list Amir Fallah Amir H. Fallah creates paintings, sculptures, and installations that utilize personal history as an entry point to discuss race, representation, the body, and the memories of cultures and countries left behind. Through this process, the artist’s works employ nuanced and emotive narratives that evoke an inquiry about identity, the immigrant experience, and the history of portraiture.

2013 < View Public Art Projects Yarn Bomb At City Hall 2013 Temporary Art Project To kick off the 27th annual Antelope Valley union High School District Student Art Exhibition, local artist and art educator Kris Holiday organized this public installation project with the help of pioneering yarn bombing artist Nicola Vruwink, her students, and community members. The concept was to create public art by knitting scarves around trees, cozies on bike racks, and decorating benches, lampposts and even sculptures with vibrant covers.

Riley Briones < Back Yellow Rose By Riley Briones Name: Yellow Rose, Point of Origin: Middle East, Date: TBD Dear journal, I was thinking of my whole time alive. I was planted here for as long as I can remember when they moved in. I was chosen for my bright colors and the joy I bring from the outside. I used to be happy I was loved. I had a family who always took care of me even through the harsh winters and nasty weather. I loved watching them grow, as I grew to see how beautiful they have gotten; to see their faces light up when they look up at me. I used to be so tall compared to the light; I was something they looked up to and wanted to be. I would sometimes go away when it came to the season for me to leave. However, as soon as I came back I got to see the growth they had made, like they were following my lead. I loved the touch I got when others visited and the way they looked at me. The feeling that I was picked amongst all others and I still get picked to this day by the children I watched grow. I was made to be here. The family wanted me, but was it just for my beauty, was I only a material to them only to be seen from the outside? Do they not care what I actually feel? I watch as so many people come and go through the doorway. I’ve experienced the loss of people too; watching new people come along so happy to see the children I love inside. I have seen many things, the love these humans give to each other, their faces light up when they see them like how they used to look at me. But, one day these new people disappear and they never come back. I see the face of a once happy child grow into a depressed lonely girl. She never looks at me the same. I no longer feel the love and joy I used to give to these people. Is my reason for being here gone? Have I failed to keep this child happy? The once joy I brought to others and myself is gone. I feel empty. I can no longer serve for those I love. The girl has gone so far down into a hole I never get cared for anymore. I see the sunlight come over the house and the water hit my roots; but nothing will ever be good enough as the love she once gave me. I am gone. I am nothing. But, I still live day to day growing more and more sad as I see her grow to be the feeling that I feel. I am her. She is me. We are a part of one another. If only she could see. Previous Next

2015 < View Public Art Projects Yarn Bomb at MOAH 2015 Temporary Art Project After receiving much acclaim from the community for organizing the yarn bombing of Lancaster City Hall, Kris Holiday was commissioned again to install outside MOAH’s main entrance. Holiday expanded her idea to a district-wide project. She and her team were inspired by the whimsical humor art can bring into the world so they created yarn flowers, hung yarn balls from the roof, and covered up bicycles, planters, pillars and walls. A desk they covered from MOAH’s Young Artist Workshop was later donated to R. Rex Parris High School as a permanent installation.

< Back HK Zamani Featured Structure Artist HK Zamani is an Iranian-American multidisciplinary artist and founder of PØST, an alternative exhibition space in Los Angeles. Teetering between the obscure and the objective, his work examines the synthesis of artistic medium, conception, and interaction. Interplay between structural materiality and metaphysical interpretation are prominent in Zamani’s work. He uses this exchange of the indefinite to comment on the current social structures and expectations of society. The physical use of artistic media is put into conversation with the representation of cultural overlap. Body and Immaterial: A Conversation of Sculpture and Painting, A 20 year Survey of Works by HK Zamani comments on the relationship between two prominent art mediums. The exhibition includes works such as Fashion of the Veil (2008), Prague Dome (2004), the Inadvertent Protagonists series, and many more. Works vary in medium. Sculptural and material elements showcase the skeletal and structural aspect of the work. Rigid frameworks such as the metal geodesic support on Prague Dome (2004) are juxtaposed with softer, more gentle textiles that make up the walls of the same work, calling to ideas of duality. Paintings provide preliminary and complimentary concepts that coincide with the sculptural work. Abstracted forms presented in his paintings also mimic the figures that can be seen in works such as Inadvertent Protagonists and Fashion Erasure I-18 (2021), noting the multiplicity of possibility and interpretation discussed in the work. HK Zamani received his Bachelor of Arts in Studio Art from California State University, Dominguez Hills and his Master of Fine Arts in Painting from Claremont Graduate University. He is the recipient of City of Los Angeles Getty Trust and California Community Foundation grants. In 1995, Zamani founded POST, in 2009 it became PØST. His work is included in the collections at Berkeley Museum of Art and the Los Angeles County Museum of Art. He currently works and resides in Los Angeles. Previous Next

< Back Ann Diener The Invented Land As a fourth-generation descendant of a Southern California farming family, Ann Diener has a deep connection to the land and is fascinated with its continual state of change. Several years ago, while visiting her late grandparents’ farm, she was struck by how abruptly and significantly this land had changed. No longer was she able to recognize her old haunts or familiar landmarks; the crops and trees were gone, the roads were reconfigured, and fertile farmland was covered in a shroud of industrial farming operations. The fields she explored as a child have since been transformed into a tessellation of suburban development, a sprawl of quotidian Southern California tract homes, strip malls and gas stations. Those fields that remain are farmed by large conglomerates-often owned by private equity firms in faraway places. Seeds are scientifically engineered, and food is grown on massive stretches of land or in enormous greenhouse structures. Technology remains as intrinsic to California’s agricultural future as artificial intelligence and the innovations of Silicon Valley. The ecosystems this technology generates is at the core of her work, resulting in intricate architecture and stunning complex visual landscapes. The paramount issue of California agriculture is water. California built the greatest agricultural machine in history, employing technology to grow food in massive amounts to feed the world’s growing population largely by controlling where water flows. However, this approach has dealt overarching environmental consequences, primarily water shortages caused by overuse, flooding, soil erosion, and subsidence. The adaptation of industrial agriculture to a changing climate represents a metaphor for climate change on a larger level. A changing climate requires judicious use of water, rehabilitating depleted soil, rotating crops, planting cover crops, and growing in places that were previously unsuitable for farming. With her drawings, she attempts to demonstrate this complex, evolving landscape, telling the story of these topics of inequality, water, and the vicissitudes of climate change through the complexities of modern-day agriculture. UPCOMING COMMUNITY ENGAGEMENT: The Invented Land Walkthrough with Ann Diener at MOAH Saturday, July 13 at 2 PM | Located at the Lancaster Museum of Art and History Join us for an exclusive walkthrough of Ann Diener: The Invented Land , on Saturday, July 13, 2024, at 2 PM! Discover her stunning art that reflects the evolving landscapes of Southern California. Don't miss this chance to explore the intricate connections between agriculture, technology, and climate change. Sign up now on Eventbrite ! Tickets are not mandatory but suggested 📅🔗 PST ART: Art & Science Collide , Getty Pacific Standard Time 2024 Preview event Saturday, August 3 at 2 PM | Located at the Lancaster Museum of Art and History Featuring an Ar tist Talk and Book Signing with Ann Diener and Debra Scacco Previous Next

back to list Carly Ealey Fine artist, muralist, photographer, and writer with a few hundred other secret talents, Carly Ealey has a knack for all things creative. With a natural inclination to painting the familiar figures of women in her work, Carly prefers acrylic ink on wood panels when painting small, and spray paint when working on murals. However, she also incorporates her photography from time to time on a larger scale via wheatpaste.

4th Floor Mural Custom Aerospace Mural Curated by the Lancaster Museum of Art & History 1/1 1 - McDonnell F-21 Voodoo, a USAF supersonic jet fighter Photographic Print 2012.999.70 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) 2 - SpaceShipOne Photographic Print 2020.FIC.05.02 MOAH Digital Collection Gift of Edwards Air Force Base (AFFTC-HO) SpaceShipOne is an experimental air-launched, rocket-powered aircraft manufactured by Scaled Composites that has a hybrid rocket motor allowing it to be capable of sub-orbital spaceflight. 3 - USAF test pilot Robert A. (“Bob”) Hoover with XFJ-2, 1951 Photographic Print 2012.999.71 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) 4 - Corwin "Corky" Meyer, a Grumman Test Pilot Photographic Print 2012.999.72 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) 5 - Research pilot John Manke with an X-24B Lifting Body, 1975. Photographic Print 2012.999.73 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) John served as Chief of Flight Operations, and as site manager NASA's Flight Research Center, later the Dryden Flight Research Center, at Edwards, CA. 6 - William J. "Pete" Knight sitting in an X-15 Photographic Print 2012.999.55.03 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) 7 - B-52 Stratofortress, c. 1960 Photographic Print 2012.999.56.01 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) The Boeing B-52 Stratofortress is an American long-range, subsonic, jet-powered strategic bomber. The B-52 was designed and built by Boeing, which has continued to provide support and upgrades. It has been operated by the United States Air Force since the 1950s. 8 - McDonnell F-21 Voodoo, a USAF supersonic jet fighter Photographic Print 2012.999.70 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) 9 - Anthony "Tony" LeVier posing on a Lockheed Starfighter, c. 1960s Photographic Print 2012.999.66.02 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) Tony LeVier's test flying was instrumental in proving the Lockheed P-38 Lightning design. He and chief engineering test pilot Milo Burcham alternated flying dive tests to observe the design's performance at transonic speeds. To demonstrate the reliability of the design in the hands of a skilled pilot, he performed aerobatic shows for students at the Polaris Flight school at War Eagle Field in nearby Lancaster. 10 - Space Shuttle Columbia Photographic Print 2012.999.37.03 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO)

< Back Mother Comes to Venus North Gallery Zackary Drucker Zackary Drucker is a Los Angeles-based independent artist, cultural producer, activist, and filmmaker. Drucker utilizes photography, performance, and video to break downs pre-conceived notions of gender, sexuality, and identity. Drucker’s work explores potentialities for queer and trans futures, utilizing both narrative and non-linear storytelling to imagine new modalities of queer and trans representation. Drucker uses her experiences as a trans woman and those of her collaborators to showcase nuanced and varied accounts of trans existence. Drucker’s photography often accompanies her film practice, functioning as a figurative nexus of her performance and video work. Her photographic practice includes highly personal portraits that explore themes of voyeurism, intimacy, and personal history. Drucker often collaborates with trans matriarchs to explore models of queer motherhood. Her film Mother Comes to Venus, 2018, portrays a fictionalized post-gender Hollywood, envisioning a world where queer and trans people control their own narratives. Powerhouse agent, Venus Allen, grapples with her newfound power and responsibility towards representation and is visited by her spiritual “mother” for guidance. Drucker’s film Unison, 2013-2017, explores multi-generational queer identity. The film’s cast includes the late Mother Flawless Sabrina, a drag queen and queer activist, as well as Drucker’s real-life mother, and Van Barnes, a trans woman and frequent collaborator with Drucker. Dreamlike non-linear sequences of these figures evoke a visual depiction of trans and queer identity over the course of a lifetime. Previous Next

Your Myth Here < Back Previous Douglas Tausik Ryder Your Myth Here Douglas Tausik Ryder has always had the desire to push the creative boundaries of sculptural art through technology. Inspired by innovation, the artist combines the conventional form of woodworking and contemporary technology, bringing a 21st century conversation to traditional wood working and sculptural practices. Utilizing mass production and 3D modeling, Tausik Ryder transcends the limits of the hand-tool oriented medium and creates his sculptures through an industrial CNC (Computer Numerical Control) machine tool. Each individual piece is created with the digital cutting tool and is refined and assembled by hand. Through technology-assisted art, Tausik Ryder challenges the ways in which artists can interact with conventionally analog processes while bringing forth conversations concerning mass media, automation, and artificial intelligence. Next

Aerial View of Lancaster Airport Aerial View of the Lancaster Airport Lancaster Airport (aerial) Lancaster Airport (aerial) 1/1 Aerial View of the Lancaster Airport, c. 1942 Photographic Print 2012.999.53 MOAH Permanent Collection Gift of Edwards Air Force Base (AFFTC-HO) Scan the QR Code for more information Aerial View of Lancaster Airport

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